In the Marvel Universe, monsters roam among us. And I'm not just talking about human beings who do horrible things, I'm talking actual monsters. I'm talking vampires, werewolves, living mummies, and even monsters that can be called kaiju like Fin Fang Foom. Among the monsters running around in the Marvel Universe is the being called Adam, but we most know...as Frankenstein's Monster, or just Frankenstein (a common misconception).
Created by Mary Shelley for her 1818 novel (originally published then anonymously, a revised version would be republished under her name in 1831) Frankenstein; or, the Modern Prometheus, the Monster was a man created by Victor Frankenstein from body parts that came from various corpses. Victor would go on to lament his actions as the monster wants to basically destroy him for creating him. Victor is often portrayed as a "mad scientist" in adaptations of the book, but the man himself in the actual book is more of a tragic figure.
While the book would be given mixed reviews by critics (one criticism from the British Critic outright said that the book was flawed because a woman wrote it), it was a massive success.
The book would be massively influential, even seen as one of the first, if not the first, science fiction novel. It's considered one of the great works of English literature. As such, the book would be adapted into film (most notably the 1931 Universal Pictures movie) and other media, including comic books.
In the 1970s, monster-mania was in full swing at Marvel Comics. They were not just putting out color comics focused on tales of its superheroes, they were also publishing black and white magazines focusing on tales of monsters. They had already incorporated Dracula into the Marvel Universe, and then editor-in-chief Roy Thomas wanted to do an adaptation of the Mary Shelley novel in comic form, and then eventually bring the monster to the then-present. He was eager to work with artist Mike Ploog on the adaptation, but he couldn't find the time. As such, he turned the writing duty over to Gary Friedrich.
Considering it's Halloween today, I thought I'd look at a comic with ol' Adam in it. The comic book we're looking at here is an issue from the Monster's first ongoing in the Marvel Universe. It started with an adaptation of the novel and then went on from there. Victor Frankenstein would leave a long shadow over the Marvel Universe, as his descendants would end up causing havoc over the years...well, except for Victoria and Veronica. The series lasted 18 issues, being cancelled due to low sales, although according to Roy Thomas, the book did sell rather well at first. Funny enough, the first time the Monster appeared in the Marvel Universe was in Menace #7 (September 1953) by Stan Lee and Joe Maneely. With that out of the way, let's look at The Frankenstein Monster #7!
The cover is a John Buscema, Frank Giacoia, and Danni Crespi piece. It depicts the titular Monster standing over a fallen woman and angrily holding up a boulder. He's about to throw it at some people at the behest of an old woman. The cover also implies that this is a second volley, as we see another rock land near some fleeing people. It's a cool cover, and it gives the impression that the Monster is going to be used as some kind of weapon by the old woman.
"The Fury of a Fiend!"
Writer: Gary Friedrich
Penciler: John Buscema
Inker: John Verpoorten
Colorist: Glynis Wein
Letterers: Charlotte Jetter, Gaspar Saladino
Editor: Roy Thomas
Editor-in-Chief: Roy Thomas
The story begins with a young lady taking a bath in the river. Nearby, the Frankenstein Monster emerges from the water. He notices the woman bathing. Frank may have been an artificial man made from a bunch of corpses, but even he is not immune to the effects of feminine beauty.
He then hears a twig snap and spots someone else eyeing the lady.
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| "Wow, her back is jacked, my goodness!" |
Unlike the Monster, this hunchbacked man, Drako by name, has much less innocent things in mind for the young lady. Drako attacks the woman. Frank feels he should not get involved, but even he can't stand to see someone get attacked like this. He grabs Drako and tosses him into the river. Drako angrily attacks Frank, and the two of them tussle.
As the hunchback and the Monster tussle, an old Roma woman watches them. The fight ends with Frank killing Drako, lamenting that he had to take a life again. The young lady fears that he's going to kill her next. However, an old lady jumps to the Monster's defense, being all "This big ugly lug just saved you from that perverted hunchback, you show some friggin' gratitude!" The young lady apologizes, and the old lady invites him to join them at their camp. Frankie accepts. And off to camp they go!
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| They did the Monster Mash... |
Turns out the two ladies (the younger one is Carmen, and the elder is named Marguerita) were part of a band of Romani travelers. Frank is actually grateful for the hospitality, as he hasn't had any warm food in a while. But hey, much like the Monster himself, the Romani are outcasts, so they can relate to him. It's actually kind of nice.
Marguerita helps Frank locate the last of the Frankensteins with her crystal ball. As Frank dozes away, we learn that ol' Margie has a secret of her own.
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| Turns out Marguerita was the original Batwoman. |
Ohhhh, this is not going to end well. Weeks pass. Despite his desire to hunt down the last of the Frankenstein family, ol' Adam has found himself growing to enjoy his time with this band of wandering Romani. During his time with them, he became a part of their performing troupe. It's a rare, happy time for the artificial man. He finds friends here, and he and Carmen also start to grow close. Despite this, Frankie knows his time with the troupe must end. After all, he's got some revenging to do.
He goes to Marguerita, and she has some news for our monster. The last of the Frankensteins...is dead.
Yeah. He's been dead for many years. But Marguerita knows where his tomb is, and she offers to take Frank there. Despite the fact that he can't kill the man...Frank actually feels...relieved. As much as Frank has killed, it's not something he enjoys doing. Even though his revenge was denied, he can live with it as it means that his hands aren't any bloodier than they already are. After the show, the two will go visit the tomb. As Frank leaves, Marguerita turns into a bat and flies off.
Out in the town, a lone constable is patrolling. He's having a miserable time as thanks to the Roma performing troupe, the town is freakin' quiet. The bat transforms into a young woman who meets up with the constable. She pretends to seduce the young man and then attacks.
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| "Augh, his blood tasted like onions! I hate onions!" |
Don't feel too bad for that constable. He was boring anyway. The moral of the story here? Be careful what you wish for...because you just may get it. Yup, Marguerita is a vampire. The discovery of the constable's body causes a panic. The village believes the Roma brought vampires here, because it's 18th century Europe, and Roma are blamed for everything. Bad crop yield? The Roma's fault. Horse went missing? The Roma's fault? Stubbed your toe? That's the Roma's fault, too.
Naturally, the camp decides to flee.
Marguerita tells Frankie to push away a boulder to distract the mob and buy her fellow Roma time to flee. However, unknown to our anti-hero, the boulder also covers a tomb. According to Marguerita, it's the tomb of the last Frankenstein. Our Monster is suspicious, but follows her. He opens the tomb and finds a skeleton in it. Unusually, the skeleton has a stake where the heart would be if it was alive. Marguerita runs in and removes it. And if you're a savvy sort, you can guess who this was actually the tomb of.
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| "Did someone tape my shows! I don't want to miss my stories!" |
Indeed, it's the tomb of the world's most famous vampire himself: the Lord of the Vampires, the Dapper Deathbringer, the Fanged Fearbringer, Dracula!
This was a good issue. What I really liked about this comic was that we got to see Frankenstein's Monster enjoy a bit of peace and acceptance. Yes, if you've read these old stories, it's going to end tragically for Adam, but it is nice to see him have a brief bit of happiness. I enjoyed Marguerita calling out Carmen for being freaked out by Adam saving her life. Yeah, Adam's ugly, but he's no Drako, that's for sure. Of course, it is tainted by her being a vampire. And of course, the set-up to him facing off against Dracula. It looks like it'll be an epic fight. I do wonder how the dead Dracula got in contact with Marguerite, though. Was she a contingency plan in case he got staked? And how was she able to keep her vampirism hidden from the other Roma? A bit more exploration of that would have been nice.
I also liked that we showed that as much as Adam hates the Frankensteins for creating him, he's really not into putting any more blood on his hands than he already hands. It helps him show that he is very much an anti-hero and well, not quite the monster people like to paint him as.
As for the art, well...it's great. But then again, it's John Buscema. How can it not be? I think it brings a wonderfully moody quality to the story.
If you want to read this for yourself, I recommend tracking down the 2015 trade paperback The Monster of Frankenstein. Thanks for reading this blog entry! If you liked it, show it off! Take care of yourselves and each other! If you like what I write and want to give this blog some additional support, please make a donation to my Ko-Fi! See you next time, and have a happy Halloween!
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