Marvel's 1980s New Universe line is one that we've visited a few times in the past. Last January, I looked at Kickers, Inc. #1 (November 1986). In February 2021, I looked at D.P.7 #1 (November 1986). In May 2021, I looked at Psi-Force #1 (November 1986). In May 2022, I looked at Star Brand #1 (October 1986). And finally, back in November 2024, I looked at Nightmask #1 (November 1986). Yet, there is one title from this line I never looked at yet. I mentioned it, but never looked at. Until now.
For those not in the know, the New Universe, it was a line launched by then-Editor-in-Chief Jim Shooter in the mid-1980s as 1986 would see the 25th Anniversary of Fantastic Four #1 in 1961, birthing the Marvel Universe as we know it today. The basic idea that the New Universe would be much more realistic than the MU, lacking any of the more fantastical elements of the mainstream Marvel Universe, like aliens, gods, mutants, super-tech, magic and all that...until a White Event randomly gave people superhuman powers. The NU was plagued with problems from the start, and the line didn't last very long. See my D.P.7. #1 review for more on that. I did mention earlier that there was one title I never got to look at, until now. I found a copy of it in the back issue bins of my local comic shop, and well, the rest is history. This title was one of the longer-lasting titles of the New Universe, reaching 32 issues. This is Justice #1!
The cover is a Geof Isherwood piece. It's pretty cool. It depicts Justice about to blast a man in front of a horrified crowd. It is a cool cover, but it makes him look like a horror movie villain.
"Brave New World"
Writer: Archie Goodwin
Penciler: Geof Isherwood
Inkers: Joe Del Beato, Jack Fury
Colorist: Bob Sharen
Letterer: Nick Parker
Editor: Michael Higgins
Editor-in-Chief: Jim Shooter
The story begins in Manhattan, in particular, the neighborhood known as Alphabet City. The neighborhood got its name thanks to it having avenues named A, B, C, and D.
We look in on Eudora Simpson. A 71-year-old retired African-American seamstress, she had cashed her Social Security check towards getting some shopping. Well, that was before three young men decided to make her into a corpse.
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| "All this for five bucks and a bag of cookies. Thievin' ain't as profitable as it used to be..." |
Meet Slits (the one in the glasses), Pink (the guy in the pink shirt), and Home (the guy in the white shirt). These three are a trio of wannabe gangbangers, who are willing to do anything for easy money, including killing an old woman who never hurt them. The three flee back to their hideout, unaware that there is a man standing on the stairs above them. He comes down and the three spot him.
Slits thinks he's a lawman, but not like any lawman he's seen before. He ain't wrong. Pink thinks the man's on something, thanks to his solid red eyes. Slits thinks he's scoping them, like he's checking to see if they're a threat to him. Through the man's eyes, we see that to him these three men are white outlines with green blobs in them. These are their auras.
You'll see what I mean later. Slits whips out a knife, demanding this very 80s-dressed man introduce himself. The man...happily obliges.
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| "AGH, THE PINK! NOT THE PINK! MY ONE WEAKNESS!" |
Justice also has a sister named Truth, and brothers named American Way and Better Tomorrow. Justice looks at the ashes that were once the three gangbangers. This world is alien to him, but his purpose is not. He picks up Slits's sunglasses and puts them on, his narration implying that the light on Earth is much harsher on this world. He's observed enough about this world to get around, as he has a couple mysteries to solve: who brought him here, and where he is.
We next head to Baja, California. A butler named Lorenzo is working in a mansion there, bringing a drink to a man in a hot tub, the steam concealing his features and body. He tells Lorenzo to get his son on the phone...on the scrambled line.
Said son, Damon by name, is chastising a man named Hardesty. Hardesty was evidently working towards a deal with the Japanese, and it fell through.
Hardesty begs Damon not to fire him. He burned all his bridges to work here at Conquest Dynamics. If he loses this job, he is screwed. Damon suggests something else to make up for it, a ritual the Japanese are known for, according to him. He saw it in a movie once.
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| "I also would like to add your finger to my collection. It's not weird, you're weird!" |
Damon is referring to yubitsume, the practice of removing a portion of one's little finger to atone for failure. It's done mainly by the yakuza, Japanese gangsters. Hardesty himself points that out, but Damon doesn't care. He gets a call from his father, and tells Hardesty he has a choice: yubitsume or firing. As Hardesty agonizes over the decision, Damon Conquest is informed by his father that "he" (presuming Justice) survived the ambush. He not only survived, he evidently crossed over to Earth. Damon wonders how that happened, as the company funneled power to the "Farside" to prevent that. Damon's dad theorized the "White Event" may have caused it. Damon's not worried. After all, he can handle Justice.
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| "My Green Energy will handle his pink no problem." |
Damon's old man says no, they have others for that. After all, Justice is likely disoriented. Which means he's vulnerable. Damon also reports that they now have a finger on the problem with the Japanese as Hardesty runs out of the room, clutching a bloody hand.
The scene shifts to Tompkins Square Park. Justice is wandering around. He notes that this place is so much like his home. He gets distracted by a pretzel stand.
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| "This pretzel smells like pretzel! Very suspicious..." |
The owner of the cart takes it back, saying that a big man like him should work for his food. This makes him remember that food in his home was freely offered to him for his services...when it could be spared. He then spots a woman begging a man named Snap to give her some drugs. She's jonesin' hard, man! Justice looks at their aura's. The woman's was blue, but the man's was green, same as the three gangbangers he vaporized earlier. The dealer snaps at a big man named Regis to take care of Justice. But the man shows that he is also a formidable physical combatant.
Snap grabs the girl and threatens to bash her head in with a rock unless Justice backs off. But the mysterious man has something for that as well.
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| "SQUARE BEAM!" |
Yeah, he and Regis take advantage of addicts by selling them fake drugs. He suggests that Justice should leave him alone and go after actual drug suppliers, like at the Factory. Justice thinks that's the second time he's heard that name. Thing is, when did he hear it the first time? The gangbangers he killed did not mention it. And the narration nor his own thoughts mention it before.
Justice drops him, his thoughts figuring this "Factory" must be a place of great corruption and dark power, power enough to bring him here. Snap picks up his fake drugs and Justice vaporizes him. After all, men lie. Auras do not. As a crowd gathers, the pretzel guy advises our man to leave, giving him a free pretzel for his trouble.
The scene then switches to St. Marks Place. There, we look in on two agents at work.
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| "After this, we're gettin' drunk! We earned it!" |
Meet Rebecca Chambers of the Justice Department and Hoyt Pittman of the FBI. They're undercover investigating a drug operation in...the Factory, a very hot new nightclub in the city. Unknown to them, Justice is also trying to get into the club. The bouncers tell him not to get violent, as the doorwoman is into that kind of thing. However, she's quite impressed with Justice's unapologetic 80s look and speech, think he's some kind of weird rockstar/preacher. She is all too happy to let him in to the Factory.
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| All the booze you can drink, and 24/7 MTV. The ultimate 80s club. |
Hey, they got a Springsteen video going. These guys have taste. This new club is the talk of the town, being attended by celebrities and the glitterati, the movers and shakers, the models and the managers. Up in an office overlooking the dance floor, Marty Roth (the owner of the Factory) is being threatened by a druglord named Chango Villalobos. His family has been involved with the drug trade, and they're using the Factory as a front. He's found out that there is a lawman infiltrating the club's staff, and he wants the head of said infiltrator.
Marty tries to calm him down by saying that not only has he found said undercover agent but has convinced them to work for Villalobos. He and said rogue agent are going to trap the woman that is investigating the club.
The plan is to frame her as the rogue agent. Marty especially wants to bring her down because of his past. He was a young hippie back in the 1960s, but times had changed. His fellow ex-hippies think he betrayed them. But in reality, he sees himself as still loyal to their cause of changing the world, he's just doing it from the inside nowadays. It's why he calls this club the Factory. Not because it was a factory (although the interior certainly has the former factory vibe), but because it's the factory that produces corruption. Any dark desires powerful people have can be satisfied here. this place produces the rot that will destroy society.
Unsurprisingly, Villalobos is not impressed with Marty's high ideals. He's a businessman. Sure, hard drugs are an illicit business, but still a business as far as he's concerned. Marty's playing games with his product and his money. Either Marty shuts this place down, or he will. You know Chango, you could just take out Marty and put someone else in charge of this place. The Factory could still be used to make some legit money for your organization.
As this is going down, Justice is observing the people on the dance floor. He spots Rebecca dancing with a man, and this triggers a memory of his world.
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| "Is this a bad time to tell you I played hooky at the dance school?" |
We learn here that his presumed real name is Tensen. He's dancing with a woman named Shandra, who is presumably his main squeeze. The two truly, deeply, madly loved one another...and then Tensen gets ambushed by ninjas.
Evidently the concept of a ninja is not just an Earth thing. And also, it's very annoying when you're having a nice romantic moment with your significant other and a bunch of ninjas ambush you. Should have hit them with one of these, Tensen!
Tensen is pulled to reality by the doorlady.
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| "I'm more of a Barry Manilow girl myself." |
She tells Tensen that Chambers (the lady that caught his eye and triggered his memory of Shandra) was taken by the manager to the VIP lounge. And since Justice is not a VIP here, he's not welcome there. Tensen tries to follow Chambers anyway, sensing her pure aura. The doorlady (I'm naming her Sharon) is on her break. As such, she agrees to take him to said lounge anyway. She hopes it'll somehow cause a fight, as she gets a bit of thrill from violence.
Chambers is talking to Jean-Paul, a fellow undercover agent. He tells her that this place is the best chance to finally get Chango Villalobos. The Factory is a distribution spot for his drugs, and he enjoys watching people here go nuts on them. Jean-Paul's got Marty thinking that he's gone rogue, and warns Chambers of Marty's plan to set her up. However, Villalobos sees this on a monitor. His...brother? Cousin? Former roommate? I don't know, presumably a relative named Nestor leaps out of hiding and tries to blast the two with his Uzi.
Chambers dives behind the bar, pulling Jean-Paul to safety. Tensen hears the sound of the Uzi firing. He doesn't recognize the weapon, but he knows it's still trouble. People flee the gunfire.
Sharon is with him during this whole thing. Justice creates a shield to try and protect civilians. But despite his best efforts, people still get hit.
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| Kim considered dropping back into beauty school after this. |
Justice vaporizes Nestor with his "sword". Chango goes for Nestor's gun, but Jean-Paul grabs it. Presumably thinking that Jean-Paul was the one who fired the Uzi, Justice vaporizes him, too. Sharon is left a whimpering mess by this. Chango is not intimidated by this powerful being. He uses his cane as a makeshift spear (the head of the cane has a hidden blade) to knock Justice's right hand back, making him miss his blast. Chango flees. Tensen starts to pursue, but Chambers has a gun to him. After all, Tensen killed an agent, he has to answer for that.
Justice tries to tell Chambers that Jean-Paul's aura radiated evil, while poor Sharon is sobbing and whimpering that this is not any fun. Hoyt busts in (what was he doing, playing video games?!) having seen Justice burst in. Seeing the distraction, Tenses uses his shield to knock Chambers and Hoyt back.
Meanwhile, Chango tries to escape the Factory via a skylight. Problem is, darn thing won't open. That's what happens when you cut corners on construction. Luckily for him, Marty is there to help...kind of. And another twist is revealed: Marty had set Chango up.
He had planned to set up him and Chambers to kill each other, playing it as a drug deal gone sour. And the reason? Chango's hiked up the drug prices a few too many times for Marty's liking. Justice overhears this, and judges him corrupt. Marty tries to convince Justice they're on the same side. After all, he's fighting corruption, too. Only difference is, Marty is fighting fire with metaphorical fire. Using the corruption to bring down a corrupt society. Justice senses he really does believe this...and it truly has twisted him. He vaporizes Marty, and ends up seeing the barrels of Chambers and Hoyt's guns. The story ends with Damon Conquest's father alerting him of Justice's activities...and commanding him to unleash the hounds.
I did enjoy this issue, but much like in my review of Kickers Inc. #1, you can tell that Justice doesn't really quite fit when it comes to the concept of the New Universe. You see, the New Universe wasn't supposed to have stuff like alien lawmen running around in it. When the late Peter David took over writing the book, he retconned Justice to be a man named John Tensen whose mind was messed with by a powerful paranormal (the word for superhumans in the New Universe), and then David would have him appear in Spider-Man 2099. I am not kidding.
The story is a bit basic, but it's a good one. It does a good job showing who Justice is and what his deal is. And considering that decay is a theme for this story, it makes sense that he'd end up in 1980s New York City. The twist with Marty was interesting, even though he's a one-off villain. The idea of an idealistic man being twisted by the corruption that he wanted to fight? It's an interesting one. And we got some mysteries as the Conquests and what they're doing on Earth, setting up some things for the future. Not to mention we get a future potential ally in Rebecca Chambers.
Geof Isherwood is an underrated artist. He does solid work here, everything a comic artist is supposed to do.
Sadly, Justice hasn't been collected in trade, like most of the New Universe stuff. You'll have to search the back issue bins to find a copy. Thanks for reading this blog entry! If you liked it, show it off! Take care of yourselves and each other! If you like what I write and want to give this blog some additional support, please make a donation to my Ko-fi! See you next time!
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