One of the regular themes of the X-Men family of comics is the idea of the "next generation", a group of youths rising to meet the challenges of a world that fears and hates them. After all, the original X-Men themselves were billed as the "Strangest Teens of All". In the 1980s, characters like Kitty Pryde and the New Mutants continued on this theme. However, by 1994, in-universe, these new kids had grown up and become veteran superheroes. It was time for a new generation to rise up. Enter...Generation X.
Created by Scott Lobdell and Chris Bachalo, the group first debuted in Uncanny X-Men #318 (November 1994). The group was created as a reflection of the cynicism of the namesake demographic. Also, it had "X" in the name, so it helped fit the X-Men branding. The original members of the group came together as a result of the 1994 "Phalanx Covenant" crossover. The original members of the group, as was the tradition of post-Giant-Size X-Men teams, were from a variety of backgrounds:
- Jonothan "Jono" Starsmore/Chamber, an English mutant who had the power to fire energy blasts from his chest. His powers manifesting left him bitter as they destroyed his lower face, being forced to rely on telepathy to speak.
- Everett Thomas/Synch, an African-American Missouri boy who could copy the powers of any mutant nearby him.
- Paige Guthrie/Husk, a blonde Kentucky girl who could shed her skin, revealing different substances. She was the younger sister of New Mutant, X-Man, and future Avenger Sam Guthrie/Cannonball.
- Monet St. Croix/M, a powerhouse from Monaco who could fly, had super strength, and had telepathy. She came from a rich family, and drama around it was part of the group's original series.
- Jubilation Lee/Jubilee, a Chinese-American mutant from Beverly Hills, with the power to generate explosive "fireworks". The only pre-established character in the original group, she served as a "bridge" to the X-Men.
- Angelo Espinosa/Skin, a reluctant gang member from East LA, he had gray stretchy skin that he could stretch. His powers affected his appearance due to it also sagging and it also gave him headaches. Much like Chamber, he hated his powers.
These six were the core members of the group, being in it throughout the book's original run from 1994 to 2001. The book lasted 75 issues. Now normally, I'd look at the first issue of the book. However, since Christmas was this week, I thought I'd look at a holiday-themed issue of the series. So, let's look at Generation X #4!
The cover is a Chris Bachalo piece. It gives me the vibe of Silver Age comic covers, promising all sorts of things.
"Between the Cracks"
Writer: Scott Lobdell
Penciler: Chris Bachalo
Inker: Mark Buckingham
Colorists: Steve Buccellato, Electric Crayon
Letterers: Richard Starkings, Comicraft
Editor: Bob Harras
Editor-in-Chief: Tom DeFalco
The story begins in Maine. Some of the members of the group (Skin, Synch, M, and Jubilee) riding home in the car of Sean "Banshee" Cassidy when they notice a police blockade. The police inform them that the bridge to Faybrook (a fictional town as far as I know) is closed. One of the cops advises Sean to take another route, Monet notes that she had studied the maps of the area earlier...and the cop was lying about the alternate route. So, what is going on there that would make the cops do this? Well, this is an X-Men spinoff book. What do you think?
In the school, the cops are standing off with...a rather unusual young man.
Page 5, Panels 1-2
Meet Eliot, a presumed descendant of Quasimodo. He's not some supervillain who wants to take over the world, he's just a kid who wants to learn. He wants to attend school with the other kids. His teacher, Mr. Lorenzano (aka Mr. L), tries to convince him to let the other kids go. Mr. L was sympathetic to Eliot, trying to convince the school board to let the boy attend. After all, it's not like he has actual superpowers or anything like that. He just looks like one of Quasimodo's relatives. That's literally it. Being butt-ugly don't make you an inherent danger to everyone around you.
But let's peek back in on the Xavier Institute, shall we? The building's been getting a visitor.
Page 6, Panels 3-4.
Meet Penance. She's a whole other kettle of fish. She's fond of the peaceful area. She's used to being alone. However, today, she's going to have a visitor.
Page 7, Panel 2
Meet Jonathan "Chamber" Starsmore. As I said earlier, he is a psionic who blew up part of his body when his powers manifested. Among those body parts he lost was his jaw, so he needs his telepathy to talk.
He offers Penance some apple slices. That's nice of him. Who doesn't love apple slices? Mmmm...apple slices...
He's being watched by Gen X's sixth member: Paige "Husk" Guthrie. She notes amusingly that Chamber has a heart. Emma Frost, the former White Queen of the Hellfire Club (who at this point had reformed), notes that's rude to eavesdrop. Paige claims she didn't intend to do so, she was doing some studying and happened to overhear.
Paige points out that Emma is the last person to cast such aspirations, considering her villainous past. Emma, though...isn't chastising Paige at all. In fact, Paige reminds Emma of herself at a younger age...which leaves the Kentucky girl to wonder if that was a compliment...or a warning.
The cops are waiting for Eliot's parents to arrive. They don't notice an ice cream truck parked nearby. How could they not notice the bright pink ice cream truck parked right nearby?
The figure inside the truck notes that Eliot is not registering on their mutant-detecting equipment. Another person on a monitor points out they don't have the equipment and resources they used to. They have to work with what they got. The members of Gen-X in Faybrook get their way past the SWAT team. Sean orders Synch to use his powers to, well...synch with Eliot. Originally, he could only do this with other mutants, but after his resurrection during the Krakoa Era (he was killed off at the end of the Generation X comic's run), he now can copy the powers of any other superhuman, regardless of how they got their powers. For example, he can now duplicate the powers of the Spider-Men or the Fantastic Four if he was near them.

Meanwhile, Jubilee infiltrates the crowd, asking what's going on. She gets the skinny on the situation, and debates reporting to Banshee like she was told to. Naturally, being the rebellious sort, she decides, "Nah". Meanwhile, the standoff continues between Eliot and the police. The mutated boy rants and raves that people always see him as an acceptable target. Mr. L tries to calm the situation, but Eliot is too angry, ranting about how nobody wants to hurt the "pretty" kids.
Meanwhile, Synch tries to use his power on Eliot, but something is odd. He did manage to sync with a mutant, but it's not Eliot. It's in the ice cream truck.
Eliot's parents also try to talk him down. Mr. L's heart starts to give out, telling Eliot this is why he understands his plight. Jubilee made her way into the school from the basement. Banshee realizes that Eliot is desperate, so hopes the other members of Gen X are ready to move in. However, someone else makes themselves known.
Meet Peter, aka the Orphan-Maker (also has been known as Orphan Maker). First appearing in X-Factor #31 (August 1988), and created by Walt and Louise Simonson, Orphan-Maker is a dormant mutant who uses a suit of power armor. He is usually in the company of another villain called Nanny, their whole thing being "rescuing" mutant children from their parents...even if said parents still love their mutant kids. Peter's own mutant powers have never been activated, but it is believed that if they are...he could end the planet.
Anyway, as befitting his codename, Orphan-Maker tries to shoot at Eliot's parents. Thankfully, Banshee is able to stop the bullets with his sonic screams. The elder mutant notices the "bullets" are bone fragments, likely a nod to his limited resources. M and Skin then engage him.
As this is going down, Jubilee makes her way to the classroom Eliot is at. Banshee had figured that she would disobey his orders, so he made that part of his plan.
Eliot pleads the firecracker to help her and Mr. L, but the teacher's bad heart has given out, and he has died. Meanwhile, the Orphan-Maker managed to get away. Gen X managed to stop him, but Mr. L's death casts a pall over the whole thing. And there's another twist. Eliot...is not a mutant.
Well, he is, but he's not the kind of mutant that has the X-Gene like the members of Gen X. He's just...ugly. That's literally it. He has no superpowers, no special skills, he's just an ugly kid who just wanted to go to school. He always was.
Considering what kids of crazy things there are running around in the Marvel Universe, I am surprised there aren't more cases like Eliot's. I mean, there was Banjo, who appeared in Spectacular Spider-Man #156 (November 1989). His mother was exposed to radioactive fallout when she was pregnant with him. And there was also Lucas Jackson, who first appeared in Thing #4 (October 1983). Unlike Eliot, they had powers (Banjo was super-strong, and Jackson had empathic powers), but in general, it seems like the only mutants there are in the Marvel Universe are ones with X-Genes.
The story ends with Jubilee reading about the upcoming Age of Apocalypse crossover while the page gets covered in ice. Yeah, the comic would temporarily become Generation Next during the crossover.
I enjoyed the comic. It wasn't as...festive as I expected. To be fair, I never read this comic before I chose it, I just thought it'd be more festive by the cover. I will admit, it's more...tragic than I'd expect for a "festive" story. Generation X prevented an innocent boy from dying but couldn't save his teacher.
Eliot is a one-shot character, but I think there was a missed opportunity here with him. It would have been neat to see Gen X take him in after the events of this issue. I mean, Banshee remarks that Eliot is someone falling through the cracks. Not to mention Gen X operated from a school. All Eliot wants is just to go to school and learn with other kids. He would get to do that with Gen X. Not to mention the irony of him looking like a monster even though he's not a mutant being around superhumans that do look like regular people at first glance. You could get some interesting stories out of that. I'm just saying.
I'm not quite sure how to describe Chris Bachalo's artwork. It certainly is...unique for lack of a better word. I haven't seen superhero comic art quite like it. There are times it