The last time the Maid of Might graced this blog in a solo book was just last April with my look at Supergirl #18 (April 1984). But that version of Supergirl is not the focus of this week, review. In fact, this version of Supergirl is arguably one of the least famous incarnations of the character: Linda Danvers. This version of Supergirl was born back in Supergirl #1 (September 1996), born from the merger of a dying woman named Linda Danvers and the protoplasmic lifeform known as Matrix, who was active as Supergirl at the time. This left the newly combined being with fragmented memories of Linda's life. So, where do we go from here? Let's find out in Supergirl #2!
The cover is a Gary Frank piece. It's really cool. It's alike a horror movie poster, depicting Linda/Mae trying to fight a massive cat-like demon. This would make one heck of a movie.
"Cat's Paw"
Writer: Peter David
Penciler: Gary Frank
Inker: Cam Smith
Colorists: Gene D'Angelo, Digital Chameleon
Letterer: Patricia Prentice
Editor: Chris Duffy
Executive Editor: Gary Frank
The story begins with the newly combined form of Linda Danvers and the Matrix Supergirl, aka Mae Kent, looking through Linda's old photos, trying to piece together the person they once were. Mae has sensations when she looks at these photos. One photo in particular that get sensations going is one of her and Buzz, the man who tried to kill Linda.
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| "Linda realized that she accidentally mismatched her underwear that day." |
She's disgusted but at the same time, her skin tingles with desire. Mae realizes that this is the man who knifed Linda. However, she gets interrupted by Mattie Harcourt, who comes into the room with her parents: Fred and Sylvia Danvers. And they are actually pretty happy to see that "Linda" is seemingly alive and well.
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| "Did you get that thing we sent you?" |
They wonder why she was hiding in a closet, and she gives an excuse that she got spooked by the noise. They buy it. After all, from their perspective, Linda survived something very harrowing. It's natural that she'd have some form of scarring and trauma from that whole thing.
As this is going down, Cutter Sharp witnesses a member of Buzz's cult seemingly kidnapping a child. He follows, muttering there's never a cop around when you need one. He ain't wrong.
Fred tries to convince her to get checked out. After all, "Linda" has no memories of what happened in that warehouse, and it could be a sign of a physical problem. Remember, he is unaware the "Linda" he's talking to is an amalgamation of Linda and Matrix. She tries to convince everyone she is fine, until she sees a giant hand reaching for her.
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| "I'M TELLING YOU! I DON'T HAVE YOUR PANTS!" |
Her parents think "Linda" is hallucinating. The demonic hand passes through Mae, unable to touch her. This is the hand of the demon Chakat. And he's not a happy camper. He's especially angry at Buzz, as the blond sociopath said Linda's blood would help him fully appear in the material plane. Yet, he still can't touch anything! He still cannot interact with the material plane. Come on, Buzz! That demon wants to go to Vegas! He wants to play some blackjack, see the sights! Be a bro!
Chakat would punish Buzz for this...somehow, but something's got him spooked. The demon claims that he must hide, as "they" are coming closer. Buzz has to hurry. Luckily for him, he spots Cutter, who is pursing the van he spotted earlier. The reporter ends up being surrounded by other vans, and Buzz introduces himself.
We next look in on a local hospital. Evidently Linda had agreed to get checked out after all. And the doctor thinks she's perfectly fine.
There's no sign of concussion or anything like that. However, there's also no scar from an appendectomy she had four years earlier. Linda was also shot in a mugging last year. There's no physical sign of that, either. Heck, Linda's eyes had changed colors as well. Last issue established that Linda originally had brown eyes, but thanks to the merger with the Matrix Supergirl, they're now blue. The doctor isn't sure what exactly caused all those scars to vanish, but he attributes the eye color change to stress. Yeah, I don't know if that's an actual thing.
As the doctor and "Linda"'s family talk, Mae herself ponders her current state. Basically, the merger has left the new combined being with some of Linda's looks and fragmented memories. She feels a great amount of love for this family, but at the same time, they are strangers to her. It's here she gets a visit.
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| "Hey there, champ! Still on for that human sacrifice next week?" |
Yup, Buzz is here. He clearly has some sorcerous power that allows him to pull it off. She insists he's not here, but in a way, he is. He wants to help clear up some of Linda's confusion as to who he is...and what Linda was all about.
Remember the photo of Linda and Buzz from the beginning? Well, Mae now knows how it was taken. Buzz had a camera in hand, asking Linda how she felt. The young woman admitted that she felt a rush.
Buzz hands the camera to a dwarf buddy of his named Humbert, wanting to immortalize this moment on film. He asks Linda to take off her shirt and embrace him. The dwarf takes the photo. So, why did Linda feel a rush? Well, turns out lying nearby...was a corpse with several knives in its back. Yup. Linda helped Buzz kill someone.
Buzz taunts Mae, revealing that he not only knows she's Supergirl, he also knows that she wanted a soul. Now thanks to the merging with Linda, she's got one. A soul blackened and stained with innocent blood. A soul that happily embraced Buzz's evil. A freaked-out Mae flies out in her Supergirl form, screaming at Buzz to get out of her head.
Buzz tells her he had fun seducing Linda into his little Chaos Cult, but doing it to Supergirl? Now that will be a true challenge.
Mae screams that this was Buzz's fault, that Linda wasn't in control. However, Buzz points out she was. And he's...not wrong about that. It is true that Buzz is an evil son of a gun, but again...he's not wrong. Based on what we've seen, he didn't force Linda to follow him. He didn't make Linda help him put knives in that person's back. She willingly went along with it and enjoyed it. She even outright said she got a rush from it. So, yeah. Things are a bit more complicated than Mae thinks. Buzz calls for her. She follows, if only because she wants to put a fist down the punk's throat.
The trail leads to a closed movie theater, where Humbert has stabbed Cutter in front of a projection of the demon Chakat shown to a cheering crowd.
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| Cutter realized Humbert was not going to help with his appendicitis. |
Supergirl bursts in, and Chakat emerges from the screen, much to her horror. Yes, Cutter's blood was what allowed Chakat to finally enter this plane.
She may not have been able to stop Chakat from crossing over, so that means it's time to hand the demon a beating. She goes right up into the demon's face, knocking him back into his own realm, taking her with him as well. She struggles against Chakat, demanding he stay away from Earth. Chakat mocks her by pointing out that Earth's already been invaded. It's been that way for centuries. His people are already there, they're just waiting for him, so they can stay away from other beings that have been pursuing them.
As he talks, Supergirl is able to break his sword, and cut into his shoulder. Outside, Buzz spots some cops outside. He plays the innocent bystander, telling them he thinks a murder is being committed in there. They agree to check it out, much to Buzz's delight.
Chakat taunts that Supergirl can't defeat him. Only one problem with that. She wasn't trying to do beat him. She had heard Chakat when he said he was being pursued. Remember when she cut the demon's shoulder? She figured that the blood spilled from it was as signal to his pursuers. Her gamble ends up royally paying off, as a pair of large demons with pitbull heads show up. Not the rapper, actual pitbulls, the dogs. In particular, they appear to resemble American Bullies.
These big dog demons tell Chakat the chase is over, as they have finally found him. Chakat screams for Mae to save him, but she's like "Nah", and flies off. She goes through the portal to Earth, grabs Cutter, and flies off as the building explodes.
That theatre went up real good. You know the city's going to want to put up apartment buildings in its place.
Later, Supergirl watches over Cutter in the hospital. She thinks about Buzz's words. As much as she hates to admit it, Buzz was right. Linda Danvers was not a good person. The darkness was already in her. All Buzz did was exploit it. However, maybe the merging between Mae and Linda was meant to happen as a way to redeem her. A way to save her for a higher purpose. And Mae intends to find out what that higher purpose is.
A crowd gathers around the destroyed old theater. One lady remarks that this town seems to be going straight to Hell. Buzz walks by and tells her it's not the case. The town is not going straight to Hell. After all, there are some detours planned, and isn't half the fun of going to Hell the journey?
This issue is pretty good. It helped set up what would be a couple of the themes of Peter David's Supergirl run, mainly ones of religion, faith, and redemption. Angels and demons would become part of this series, as a way to make her stand out from the pre-Crisis Supergirl. The story is not perfect, but that does not mean it's enjoyable. One of my favorite parts of the story is the revelation that this version of Linda Danvers was not a good person. It's a very good and intriguing twist and helps set up Mae's future adventures trying to not get Linda redeemed but also find out why Linda should be redeemed. I mean, the DC Universe has its fair share of people who are rotten to the core, so what makes Linda so special? Also, it will be neat seeing Mae try to connect with Linda's friends and family.
I admit, I think Buzz was a bit overly obvious as a villain. However, rereading the story, I think it does make a bit of sense. I got the idea that Buzz revels in his dark nature because he believes he is unstoppable. He thinks he's untouchable, so yeah. Of course he's going to revel in his evil nature.
I'm more familiar with Gary Frank's art in Superman and the Legion of Super-Heroes, and it looks so different here. I think that may be due to style evolution and different inkers. His work is really good here. It has a clean, almost Silver Age-like quality, which helps juxtapose against the brutality of Buzz. I love his rendition of Buzz. You can see the evil and madness in him.
If you want to read this story for yourself, I recommend tracking down the 2016 trade paperback Supergirl by Peter David, Book One. Thanks for reading this blog entry! If you liked it, show it off! Take care of yourselves and each other! If you like what I write and want to give this blog some additional support, please make a donation to my Ko-fi! See you next time!

















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